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Sonnox Oxford DeNoiser Native. The Sonnox Oxford DeNoiser removes wide-band noise from audio material using a variety of sophisticated techniques. The key to good de-noising lies in helping the user produce pleasing and accurate results, rather than encouraging the over-aggressive use of controls.
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Oxford Dynamics warmth is essentially a reduced Oxford Inflator. They simply add odd harmonics. Here are harmonic distortion graphs from VST Plugin Analyzer. Warmth, set to 100, no other Dynamics processing: attachment=1:1q1jvlidoxford dynamics warmth 100.png/attachment:1q1jvlid Inflator, effect at 100, no other parameters altered from default: attachment=0:1q1jvlidoxford inflator effect 100.png/attachment:1q1jvlid So they're exactly the same, but inflator is much more pliable, in that you can alter the proportion of the higher harmonics in the mix, and you can drive the thing very easily. Most of the saturation effects around do several things at once, like adding even and odd harmonics in different amounts, applying an eq curve, etc. Inflator and Warmth take the approach of offering odd harmonics applied in a predictable fashion, with few other alterations.
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I think this approach is kind of typical of Paul Frindle (creator of these Oxford plugs). Oxford Dynamics warmth is essentially a reduced Oxford Inflator.
They simply add odd harmonics. Here are harmonic distortion graphs from VST Plugin Analyzer. Warmth, set to 100, no other Dynamics processing: attachment=1:3kope0vooxford dynamics warmth 100.png/attachment:3kope0vo Inflator, effect at 100, no other parameters altered from default: attachment=0:3kope0vooxford inflator effect 100.png/attachment:3kope0vo So they're exactly the same, but inflator is much more pliable, in that you can alter the proportion of the higher harmonics in the mix, and you can drive the thing very easily. Most of the saturation effects around do several things at once, like adding even and odd harmonics in different amounts, applying an eq curve, etc.
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Inflator and Warmth take the approach of offering odd harmonics applied in a predictable fashion, with few other alterations. I think this approach is kind of typical of Paul Frindle (creator of these Oxford plugs).nice 1, thx.